Live report :
SCHEME and live HEAVENLY in Paris - Couch of the World, on June 12, 2011
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HEAVENLY
, MANIGANCE
)
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Publishing date : 6/16/11
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Author : metalmp
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Approximate translation of the file
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Here a few times that I wish to be able to see MANIGANCE and HEAVENLY on scene. Then when the two groups announce to play on the same poster, I do not have any hesitation. Does the concert take place to the Divan du monde, a room of the district of Pigalle which I do not know yet, a place on two stages, equipped with couches (surprising, not?) as a decoration, and which can accomodate approximately 500 people. Only a difficulty seems to me to be able to harm this concert: it takes place with the right in the middle of the week end of Pentecost, and the week ends with extension, this year, were not numerous. Some can thus benefit from it to flee the capital with the detriment of the artists present in this June 12. It is however not far from 300 people who made displacement, and that of all France since one finds there as well Southerners as of Chtis. I have even cross some Spaniards. A public of fans, therefore… what promises a beautiful environment. Will
If MANIGANCE comes this evening to defend its born last, Récidive, appeared last January, HEAVENLY propose new titles to us? Because Carpe Diem, its last album, posts already two years with the meter. The group should logically propose a new tinted misdeed of QUEEN in 2011. But not. An album is certainly envisaged, but not before 2012.
This evening HEAVENLY came with its battery. Result: the scenic space which him remainder are tiny and the five musicians are extremely likely to find themselves there with the narrow one. Yes, you read well, they are only five, Charley CORBIAUX having decided to stop purely and simply the music. Olivier LAPAUZE takes all the guitars in load and draws some more than well. Starting its set by the piece titrates of its last album, HEAVENLY seeks its marks on this restricted space. As of A Better Me, the support is released and the temperature assembles d' a notch. What confirms Liberty as much that l' attitude of the public. Each album reviewed and force is to note that the double grosses cases mixed with the most pop accents of the music of HEAVENLY pass really well the test of the scene. Each title makes fly, the public takes part easily, and except the lack of place so that each one can be freely expressed, each musician shows mobility occupying each corner of this piece of scene in order to satisfy a public of experts which easily takes again each refrain on or without request for Ben SOTTO, the singer.
In one hour approximately fifteen, HEAVENLY proposes extracts of the whole of its discography and, on disc as on scene, the influence of QUEEN is always also obvious. A Better Me, among others, in is a perfect illustration. More clamp Dust To Dust is dedicated to Patrick ROY and is the intense moment in emotion in the concert before HEAVENLY does not play its resumption of And When The Rain Begins To Fall as a pre good-bye.
the recall starts in an original way with a solo of battery during which Piwee cheek on environments more than on the free demonstration or speed in a spirit enough jazzy and during which the cymbals have a paramount role. The set finishes with one Fullmoon memorable before the five quickly do not leave the scene for the débarasser material and to yield the place to the masters of ceremony.
Setlist HEAVENLY: Carpe Diem, Spill Blood On Fire, Lost In Your Eyes, A Better Me, Sign Of The Winner, Liberty, Riding Through Hell, Solo guitar, Virus, Dust To Dust, And When The Rain Begins To Fall. Recall: Solo battery, Fullmoon .
21:00 has precise, MANIGANCE déboule on scene and attacks very extremely with two pieces of Récidive which put the pendulums per hour. For their first Parisian concert at the head of poster, Palois chose at the same time the effectiveness and the reasonable one of a room of average capacity. With very right reason as they will show it throughout the 90 minutes which follow. Suddenly, whereas all was held with wonder, when MANIGANCE starts Envahisseur, Didier DELSAUX starts to sing in the vacuum. Its microphone is HS… Without being dismounted, it settles in front of that of Marc DUFFAU (low), checks its tool quietly, finds the fault and sets out again of more beautiful whereas in slide one panics somewhat, tightening another microphone which the singer is unaware of. Mercenaire, clearly cut for the scene, sees the public jumping in rate, public that François MERLE comes haranguer out of D’Un Autre Sang, quickly followed of Mourir En Héros and its accelerations which make fly. Complicity between the musicians is always of topicality, and Jean LAHARGUE, the last arrived, discrete substitute of Florent TAILLANDIER with the keyboards, is melted perfectly in the group whose leitmotiv seems to be still and always the friendship.
At the conclusion of Dernier Allié, Didier presents Bruno RAMOS which tackles an effective solo with Utopia, directly connected by Ange Ou Démon. The traditional ones ravel, in any case what the fans and experts can regard as such, because the live effectiveness of the pieces of MANIGANCE is real. As much as complicity enters the members of the group, or that of the two guitarists out of Maudit. Then comes the moment from rest of the singer who yields the place to his accomplices on Vertiges before returning with a thought moved for Patrick ROY. Récidiviste, the last extracted the last album, announces the end of the set of MANIGANCE which returns, for single and somewhat frustrating recall, to play En Mon Nom and the positivist (important, at our time) Privilège.
For its first evening at the head of poster, MANIGANCE will have given a spectacle dynamic and full with a positive energy and did not obstruct itself to divide it with a public acquired in advance. And so of the pieces as Dernier Hommage missed with the call (OK, I haggle a little, but I adore this song), the Southerners deserve to find Paris in more a big room. With the re-entry perhaps, during a true round? It will be in any case a pleasure of re-examining each one of these exemplary groups of professionalism and of humility, all the musicians coming to mix with the public for meetings dedications and photographs, creating a merry brothel such as safety will have, in a calm farm, a little evil to make leave everyone…
Setlist SCHEME: Aura, Larme De L’Univers, Délivrance, Héritier, Envahisseur, Mercenaire, D’un Autre Sang, Mourir En Héros, Dernier Allié, Utopia, Ange Ou Démon, Maudit, Vertiges, Récidiviste, Dès Mon Retour. Recall: En Mon Nom,
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Couch Of the World: l' entry
Couch Of the World: l' entry
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Couch Of the World: the room
Couch Of the World: the room
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Couch Of the World: l' access to l' stage
Couch Of the World: l' access to l' stage
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Couch Of the World: l' stage
Couch Of the World: l' stage
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Couch Of the World: the room seen
Couch Of the World: the room seen
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HEAVENLY for INTEGRAL METAL
HEAVENLY for INTEGRAL METAL
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SCHEME for INTEGRAL METAL
SCHEME for INTEGRAL METAL
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