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- 7th symphony
: CD -
Origin of the record
: Received from the Label
10track(s) - 48minute(s)
Enough not tortured perhaps, too romantic surely
Approximate translation of the review
is a group of
with the rather unexpected style and whose characteristic is d' to have between the hands, not guitars or the low ones… but of the violoncellos!!! A mixture out of the commun run which gives for their last album,
, a string of sounds explosives. Qu' one is amateurs or not of classical music, it does not matter, he s' acts well there of
and not neither of
symphonic, nor of Traditional a little rate/rhythm… Although… The
violoncellos are exploited here with saturations or distortions of the sound which lead to the d' production; a its close relation of that d' a guitar or d' low. Damage however for this Finnish quartet, that the seventh album is synonymous with dichotomy (not to say d' heterogeneity). Although carried by five
and not of least, l' together is very irregular and can possibly obstruct l' listener on standby of technical prowesses…
L' album s' open on a key of progressive projecting, constant and aggressive. A rather percussion introduction which finishes on a long calmer ballade, all contrasts about it with
End Of Me
which then makes it possible
) to make assemble in power the piece however enough
. The following piece,
Not Strong Enough
, will like perhaps more with its more symphonic flights and the voice of
) clearer and intense.
In the same line,
) l' opportunity d' to bring a key a little
thanks to its voice, in a piece with the refrain involving but leaving the music to the plane second completely.
breaks with the side titrates radio by its purified side due to a simply traditional music, without battery and melancholic person. A very pretty piece however.
On The Rooftop With Quasimodo
turns over to the influences of the
. Sometimes accelerated, sometimes slow, l' emotion can gain l' listener thanks to l' together very melody also, well emphasized by the dominant violoncellos.
Far from the softness of these first pieces,
, beater of
, ensures the power of the rate/rhythm of l' album. Piece
is effective and with heavinesses qu' one likes in the
. In the same way,
Bring Them To Light
, carried by voice
) done one surprising cut in the calm and nostalgic rate/rhythm of the pieces which l' surround.
) represents with him only the note melancholic person somewhat tortured of l' album and will remain most interesting for me, from its clever side of the instruments put at contribution.
, I will keep also last title
Rage Of Poseidon
, structured very well, with the entêtant refrain giving an atmosphere of black magic near to that of the meetings d' esotericism…
n' enough is not tortured perhaps, too romantic surely, lack blackness and sometimes too little melancholic person for this
who wants to be traditional more mainly.
Its disparities leave a taste of damage…
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